| Re: Tommie Sunshine? Quote:
Originally Posted by The House Rocka Again I don't see your view here. When i am watching someone play or dancing I channel everything out. I don't go out to see artists I am fond of in hopes everyone is NOT looking like cattle. I was there with like 6 friends and we were ALL dancing the whole time. I had a blast, his set was good, the crowd was pretty packed, it was a really fun night. It appears your judgement is pretty ridgid vs mine. I know you've been in the Texas scene for a while and maybe your just getting sick and tired of it from what it sounds. Whenever I go out to Plush and see some dope names it's never been a bad night. and the coolest part is how the staff there will let people come in the dj booth and get pictures or autographs etc.... Aside from me even playing there I am a satisfied customer | *sigh* It sems like you're constantly missing the big picture....or maybe youre feeling sensitive because you're playing at Plush and are refusing to have a nonbiast view. BUT the fact of the matter is..i know when a party is going off...........and that wasnt it. When Josh Wink was there....THAT went off. People from the bar to the booth were going for it. Same for Kaskade (whom i dont even like, but will give props where they're due) Whereas at T Sunshine, people on the floor were acting like they were at the bar. Standing around with their thumbs up their asses.
I saw every single person that came through that door...and i know what "types" of people were there. And it was definately more of "their" crowd than a party crowd. And those people do not dance. They don't seem to do anything fun ever. They stand around, and stare at each other, and are appalled if someone does dance that isnt on a box dressed like a whore. It's a very digital scene. So hooray for you if you get to go in a booth for autographs...but that doesnt mean the party went off.
Not saying the staff isnt nice (although the girl at the cash register has the personality of an uncooked hamburger patty), or that Tommie did a bad job. But it did sound like as the night went on he dumbed it down more and more and was going to his "emergency standby" discs to make something happen with that crowd. Once i heard the electrohouse bootleg of Billie Jean i knew there was no turning back. No one of that level of DJ should ever be forced to play such a thing.
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culture always builds on the past
the past always tries to control the future
our future is becoming less free
to build free societies we need to limit the control of the past. hudd trax (uk), pick-a-doll (germ), Conya (germ), Positiva (UK), .dot bleep (US), Yoshitoshi (US), Robsoul (france) |