Last Sunday there was a "demonstration" event that was
a free daytime outdoor rave just to get people from
all areas of the scene together to stand up against
injustice. At that event, Lisa Smith (aka DJ Shiva)
gave a speech. Here she is what she said:
It all started with jazz.
From the 30's right up until the twenty-first century,
music has been the catalyst for creating long lasting
cultural movements that defied convention and inspired
generations to come.
To the defenders of the status quo, music is also a
very dangerous thing. Jazz was accused of corrupting
young white children, exposing them to black music as
well as tempting them with the demon drugs.
In the 40's it was swing. Raging dance parties were an
escape from the reality of war and the fear of fascism
spreading throughout Europe.
Skip to the 50's for the beginnings of Rock & Roll.
They called it "the devil's music", for it too had the
power to corrupt youth with sex and drugs. From Little
Richard's overt sexuality to Elvis and his gyrating
hips, rock n roll inspired fear and hysteria
throughout mainstream America. And with good cause,
because from rock and roll came the next step:
Protest music in the 60's...people using music as a
way of bucking the system and telling the status quo
(and the war effort) to go to hell. And of course,
whether a participant or just a historical observer,
we've all heard the lurid tales of drug use.
Skip to the 70's, with disco and eventually the upset
of the modern world...PUNK ROCK. And of course, tales
of drug use were never far behind for either movement.
In the 80's, hip hop brought tales of black ghetto
life both good and bad to the forefront of American
awareness. Groundbreaking in its approach, it too was
vilified for opennes about drug use (whether sad tales
of addiction or celebrations of cannibis).
And then we come to the 90's and the early 00's...and
the movement that's scaring moms and dads all over
suburbia is "rave music". Music started in
economically ravaged Detroit, taken overseas and used
as the soundtrack for huge overnight parties and then
brought right back to the states, electronic music has
developed artistically and commercially and is now a
major force in musical culture.
And of course, the stigma of "demon drugs" is not far
behind.
Rave and electronic music culture has been scapegoated
for introducing evil drugs into the mainstream
society. The truth is less spectacular: the drugs are
already there.
This country has been fighting a failing battle with
drugs for decades, and despite record amounts of money
being thrown at the problem, drug use is going up, not
down. We spend more money to fight drugs in the US
than any other country, and yet we have the highest
drug use of any country. And so far, we are dealing
with a government that would rather continue the
constant barrage of abuses associated with the drug
war, then admit their strategy is a failing one.
And now, they've given up on trying to arrest drug
dealers, and are attacking electronic music culture.
It's easier to arrest promoters and DJs; we don't
shoot at them. And we're an easy target due to the
massive amounts of sensationalist media coverage and
misinformation that has been fed to governmental
authorities and law enforcement agencies.
The problem with this attack is that it's a witch
hunt; an obvious ploy to satisfy political agendas and
concerned parents groups, while at the same time
trampling the constitutional rights of everyone
involved in the music culture under attack.
And it's happening right here in Indianapolis. Mayor
Bart Peterson, along with IPD Chief Jerry Barker and
Marion county Sheriff Cottey have decided that
electronic music events are dangerous dens of inequity
that introduce children to rampant drug use and
unprotected sex. And they're using their power as city
officials, along with labyrinthine permit processes,
to destroy an entire culture, arguably based on the
actions of a statistical few.
It's no secret that you'll find illicit substances at
electronic music events, just as it's no secret that
you'll find them at just about any musical event. Look
around at your local mall, school or sporting event,
I'd bet money you'll find drugs there too. And unlike
most of these, promoters at electronic music events
have made a concerted effort to keep drugs out.
Everything from strict searches at the door, to
increased security forces patrolling events have been
used to try to discourage drug use and keep negative
elements out. Local promoters even had IPD officers
working events for quite a while, until IPD officers
were ordered by the city to discontinue working
security for these events. It seems city officials are
more interested in their "image" than the actual
safety of event attendees.
Of course, some drugs make it into events no matter
how tough the searches. It's statistically impossible
to keep all drugs out; if the entire country has
failed to do it, I'm not sure how they expect event
promoters to accomplish a miraculously drug free
atmosphere.
So instead of working with electronic music promoters,
the city of Indianapolis has decided to shut us down.
Chief Barker pledged at a recent IPD "rave summit"
that he will shut electronic music events down
"wherever and whenever they occur". No due process; no
communication with event promoters...just shut em
down. Doesn't it feel great to live in America?
This is an outrage. It is a direct attack upon our
first amendment rights to free speech and peaceful
assembly. It is the unfortunate effect of an entire
country declaring war upon its own people because of
fear and hysteria surrounding drugs. It is a city
government using its power over the media and the
people to destroy a vital musical subculture because
it's too lazy to go after the real criminals.
According to reports from the IPD rave summit,
officials expected event promoters to run. They
expected us to slink away in the night like the dirty
criminals they have painted us as, but instead the
opposite is happening.
Instead, the sometimes disparate factions of our
community are coming together to fight for a musical
culture we have strived for years to build. Instead,
we're organizing our forces and demanding to be heard.
Instead, we are holding our government accountable for
its antagonistic efforts to criminalize something so
integral to all our lives as music.
We refuse to be demonized and attacked without
response. We refuse to be treated as criminals when
our only crime is wanting to dance and celebrate
electronic music. We refuse to be vilified and tossed
aside based on theactions of a minority of drug
abusers and we refuse to let our rights be trampled
under a glut of drug war-fuelled hysteria.
We demand to be heard by our elected officials and law
enforcement officers that are in their positions to
SERVE "we the people", not attack us. We demand a
clear, documented approach to the permit processes
necessary to hold legal events. We demand that police
officers be made available for the safety of our
events, as they would be for any other non-electronic
event. We demand the same rights afforded to every
citizen of this state and this country.
And just in case anyone forgot: we ARE citizens. We DO
vote. We know our rights. We know that political
careers can end at the ballot box. We know that we
have the power to send the ultimate message of
disapproval to Mayor Peterson, and we won't forget
this attack on our culture come election day.
It's ironic that Mayor Peterson chose the eve of his
proposed Indianapolis Cultural Initiative to instigate
a city wide witch hunt on electronic music. While one
finger is pointing to the arts as a way of building
community and recognition for Indianapolis, the other
finger is pointing at OUR art and OUR culture and
demanding its destruction.
To further fuel the irony, he also chose the same
month as the city-wide Indy Jazz Fest, touting the
virtues of a musical form that was attacked and
vilified in the 30's much the same way as electronic
music is today.
It is up to those of us here today and out community
as a whole, to help Mayor Peterson understand these
ironies--to understand the history of musical
movements, their vilification, and history's
subsequent redemption of all of them. It is up to us
to make this city understand that electronic music is
an important culture that has revitalized music as a
whole, moving it firmly into the 21st century. We make
the music that will influence generations to come, and
we will not go down without a fight.
It may come as a surprise to Mayor Peterson, Chief
Barker and Sheriff Cottey that electronic music
promoters, DJs and musicians are very much interested
in creating safe, secure, legal and drug free events
for the enjoyment of our music. Many of us have
struggled and starved for years to build a scene in
Indianapolis that is respected in cities twice our
size, and we want our DJs, musicians and artists to be
recognized as the world class artists they truly are,
without risking arrest simply for choosing a form of
music that has been persecuted and criminalized by the
media and city authorities.
Our city government and law enforcement officials must
recognize that our culture will continue, but we would
like to continue with the help and cooperation of the
city. Cooperation is the key: is our city willing to
do what it takes and make a real effort to help
electronic music promoters throw safe events, or is
our musical culture doomed to be just another
throwaway generation to be demonized and ostracized by
the masses, only to be accepted and used by those
masses when it suits their purposes?
That is the question I pose to Mayor Peterson, city
authorities and the local media. Are you going to
treat us like criminals simply because we choose to
dance to weird electronic noise all night, or are you
going to step up to the plate and move the city of
Indianapolis into the twenty-first century?
While the authorities ponder the question, I know what
we will be doing. We'll be spreading the word. We'll
be organizing. And no matter what, we'll be dancing.
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